Blckbutterfly Designs With The Sound On “The Last Supermoon” by NWO Sparrow ( Album Review )

Rapid Review of Blckbutterfly "The Last Supermoon"

Beats - 10/10

Lyrics - 8/10

Concepts- 10/10

Replay Value- 8/10

Vibe Check - 8/10

“The Last Supermoon” Shows Blckbutterfly Is More Than A Visual Designer by NWO Sparrow

There’s something different about discovering an artist backwards. Not through music first, but through another craft entirely. That’s how I came across BLCKBUTTERFLY. To my knowledge, he was a graphic designer. Not just any designer either, but one who felt ahead of the curve, someone who understood visual storytelling at a level most creatives are still chasing. His work felt intentional, layered, and connected to a larger network of creators.

That’s what made this moment feel unexpected. On the forefront of his social spaces, he presents himself as a creative designer, someone who houses and expands his network to other creatives in his space. That’s part of the appeal of his platform. It feels like a hub, not just a portfolio. So when his team reached out to me to review his music, I was caught off guard. Not skeptical, but curious. There’s a difference. Because when someone shows you one side of their artistry so strongly, you don’t always expect another lane to exist at the same level. It almost feels like you’re being introduced to a different person. But sometimes, that duality is the real story. The artist and the man existing at the same time, expressing themselves through different mediums.

That curiosity turned into understanding the moment I pressed play on The Last Supermoon. The music here mirrors his visual art. It’s detailed, well thought out, and in certain moments, ahead of its time if you allow yourself to really sit with it. This isn’t surface-level listening. This is the kind of project that asks you to be present.

A lot of that credit goes to RUEN on production. He reached into a bag that blends retro R&B, pop, and neo soul without leaning too heavily on nostalgia. The production doesn’t rely on overused samples or predictable loops. Instead, it aligns itself with BLCKBUTTERFLY’s tone and vocal approach, giving each record its own space to breathe.

BLCKBUTTERFLY as an artist feels like a portfolio of moods. There’s range here. There’s intention. There’s also room to grow vocally, but even in that, there’s something compelling. His sound feels like it comes from experience, maybe even pain. This album plays like a coloring book. You’re given the outline, but you’re allowed to fill it in with your own life. And that balance between commercial readiness and raw expression is where this project finds its identity.

Track by Track Review

1. Rest in Peace to Shyness – 8/10

This first record opens up with BLCK putting stereotypes on the table. He is not so much leaning into it as he is calling it out, and that distinction matters. It sets a tone of awareness rather than conformity. This neo soul type jam feels like him stepping into his own power. It almost plays like a conversation with himself. Either he’s telling the listener to get out of their head and go for what they want, or he’s reminding himself of that same message. That duality adds depth to the record. The production stays in the background and doesn’t try to overpower him, which allows the message to come through clearly.

For me, the placement threw me off. I expected him to come in stronger, more assertive, especially given his visual presence as a creative. The laid back delivery took a few listens to fully register. Even after multiple spins, it didn’t land as heavy as I expected, but the sample was well placed and the intention is clear.

2. Realign Your Chakras (feat. Monte Ray) – 8/10

This was the record I expected to hear first. After a few listens, I understood the play. The first track feels like a diversion, showing new listeners there’s more to BLCK than what meets the eye. This second record feels like it’s for the core audience. The production is clean and intentional. Vocally, this is one of the more cohesive moments on the project. BLCK is selling an experience here. Not just lyrics, but a feeling of what it would be like to be around him, to exist in his energy.

Monte Ray and BLCK sound good together. There’s chemistry there that doesn’t feel forced. Whether Ray handled the hook or the second verse, it didn’t matter. The record delivered as a full experience, and that’s what made it work.

3. Fifth Saks (feat. Braxton Alexander) – 10/10

This is a pop soul hit. Straight up. One of the most commercially viable records on the album and one that could easily live outside of the project in a bigger space. Braxton Alexander steals the spotlight here, but in a way that elevates the record rather than taking away from BLCK. The concept of luxury music isn’t new, but this execution feels polished and intentional. RUEN deserves major credit for crafting a production that feels both accessible and refined.

4. Mike Tyson – 10/10

Mega production on this record. Everything hits. The hook, the delivery, the concept. This is a hit song, and one BLCK should seriously invest in as a lead record. There’s a switch in flow and energy here that sells the entire track. It feels dynamic. There’s a slight animated tone in moments, but it never feels overdone. Instead, it adds character. This record feels like confidence in motion.

5. Its Boy Radar – 7/10

This one didn’t fully land for me, even after multiple listens. It’s not a lack of effort or creativity. If anything, it’s the opposite. The detail in this record stands out. This feels like the artistic side of BLCK, the part of him that can envision styles that most people aren’t ready for yet. The issue here might be placement. Coming right after “Mike Tyson,” it’s a tough transition. That energy shift makes it harder to digest in real time.

6. Strong and Black – 7/10

This record didn’t appeal to me the same way the first track did, but there’s still something here worth acknowledging. BLCK gets more vocal here, more expressive, but the production feels like it overshadows him at times.

The concept is strong though. It’s rooted in identity and presence. The line, “I’m not the type to choose, but I know I’m your type of dude,” stands out because it reflects confidence without restriction. He’s not limiting himself to one lane or one identity, but he’s aware of how he’s perceived. That ties back to “Rest in Peace to Shyness.” On the first track, he’s shedding limitations. Here, he’s fully stepping into who he is without needing validation. It’s growth within the same project.

7. You a Vegetable – 8/10

This record has purpose and power. The repetition in the hook works in its favor, making it stick without feeling forced. The arrangement is strong, blending neo soul with afrobeat elements in a way that feels natural. This is lounge music. Bashment energy. The type of record that plays in the background as the night winds down. The shorter runtime actually helps it. It leaves you wanting to run it back, which gives it strong replay value.

8. Same Ol’ G (feat. Sage) – 8/10

Kudos to BLCK for the approach here. Flipping a familiar concept and making it feel new isn’t easy. This record is a vibe. It doesn’t try too hard, and that’s what makes it work. Taking inspiration from a classic and turning it into something more acoustic and centered shows the creative side of BLCK as an artist. Sage adds a layer that elevates the track. The vocals stand out and bring depth. This is one of those records that feels intentional from start to finish.

The X Files

Play -by- Play Breakdown

Beats – 10/10

The production across this album is consistent and intentional. RUEN understands the vibe and aura around BLCKBUTTERFLY and builds around it instead of overpowering it. Every beat feels placed with purpose, whether it’s for a commercial record or a more introspective moment.

Lyrics – 8/10

This album leans heavily into introspection. BLCK carries concepts throughout the project and delivers them in a way that feels personal. There’s room for growth, but the foundation is strong and authentic.

Concepts – 10/10

The concepts are diverse and well placed. Each record brings a different perspective while still fitting into the overall theme of the project. That balance is not easy to achieve.

Roll-out – N/A

Replay Value – 8/10

There are at least two standout records that feel like clear bangers, with several others that grow on you over time. The replay value comes from both the highs and the subtle layers within the project.

Vibe Check – 8/10

This album blends neo soul, hip hop, and even blues elements at times. The mood is diverse but cohesive. It feels like a journey through different emotional states.

Total Music Score – 8.25/10

Total Album Score – 8.7/10

What stands out most about The Last Supermoon is not just the music, but the duality behind it. BLCKBUTTERFLY the designer and BLCKBUTTERFLY the artist are not separate. They exist in the same space, feeding off each other. You can hear the visual mind in the music. The way records are structured, the way moods shift, the way details are layered. It feels like someone who understands composition beyond sound. That’s not something you can teach. That’s perspective.

At the same time, there’s still growth ahead. Vocally, there’s room to expand, to push further, to take even more risks. But even in that, there’s something real. Something honest. And that honesty is what keeps you listening. This album feels like an introduction, not a final form. A glimpse into what’s possible when someone taps into multiple sides of their creativity and lets them coexist without limitation.

And maybe that’s the real takeaway here. The Last Supermoon isn’t just about the music. It’s about expression. It’s about stepping outside of one box and realizing you were never meant to stay there in the first place.